Endicott College Admissions Acceptance Rate and More

Endicott College admissions are not highly competitive, in that only one-quarter of those who apply each year are not admitted to the school. Students will need solid grades and a strong application, in general, in order to be accepted. The school is test-optional, so SAT and ACT scores are not required. Admissions Data (2016) Endicott College Acceptance Rate: 79%GPA, SAT and ACT Graph for Endicott College AdmissionsWhat SAT numbers meanWhat ACT numbers mean Endicott College Description Located 20 miles north of Boston in Beverly, Massachusetts, Endicott Colleges 231-acre ocean-side campus includes three private beaches. The college frequently ranks highly among colleges in the Northeast. The college has a 16 to 1  student/faculty ratio  and an average class size of about 18 students. Business Administration is the most popular of the colleges 23 bachelors degree programs. Students can choose from 45 clubs and organizations. In athletics, most teams of the Endicott College Gulls compete in the NCAA Division III Commonwealth Coast Conference. The college competes in 18 intercollegiate sports. Enrollment (2016) Total Enrollment: 4,835 (3,181 undergraduates)Gender Breakdown: 39% Male / 61% Female88% Full-time Costs (2016 - 17) Tuition and Fees: $31,312Books: $1,252 (why so much?)Room and Board: $14,500Other Expenses: $2,072Total Cost: $49,136 Endicott College Financial Aid (2015  - 16) Percentage of New Students Receiving Aid: 93%Percentage of New Students Receiving Types of AidGrants: 90%Loans: 69%Average Amount of AidGrants: $12,843Loans: $11,746 Academic Programs Most Popular Majors:  Business Administration, Communication, Criminal Justice, Hospitality Management, Interior Design, Nursing, Psychology, Sport Management Graduation and Retention Rates First Year Student Retention (full-time students): 86%4-Year Graduation Rate: 76%6-Year Graduation Rate: 79% Intercollegiate Athletic Programs Mens Sports:  Football, Tennis, Volleyball, Baseball, Track and Field, Lacrosse, Soccer, Golf, Basketball, Cross CountryWomens Sports:  Equestrian, Field Hockey, Cross Country, Softball, Soccer, Basketball, Tennis, Volleyball Data Source National Center for Educational Statistics If You Like Endicott College, You May Also Like These Schools Roger Williams University:  ProfileMerrimack College:  ProfileUniversity of Massachusetts - Amherst:  Profile  |  GPA-SAT-ACT GraphBentley University:  Profile  |  GPA-SAT-ACT GraphSalve Regina University:  ProfileBoston University: Profile | GPA-SAT-ACT GraphSalem State University:  ProfileUniversity of Massachusetts - Boston: Profile | GPA-SAT-ACT GraphStonehill College:  Profile  |  GPA-SAT-ACT GraphKeene State College:  ProfileNortheastern University:  Profile  |  GPA-SAT-ACT Graph Endicott College Mission Statement: see the complete mission statement at  http://www.endicott.edu/About/Mission.aspx Shaped by a bold entrepreneurial spirit, Endicott College offers students a vibrant academic environment that remains true to its founding principle of integrating professional and liberal arts with experiential learning including internship opportunities across disciplines.  The College fosters a spirit of excellence by creating a challenging yet supportive and inclusive environment in which students are encouraged to take intellectual risks, pursue scholarly and creative interests, contribute to the community, and explore diverse career paths.  Endicott is committed to supporting the personal and professional development of its students, preparing them to assume meaningful roles within the greater community both domestically and internationally.

Albert Einstein/the Manhattan Project - 2254 Words

Historical Question: How did Albert Einstein influence the creation and evolution of the Manhattan Project and why did Einstein’s thoughts and involvement in the Manhattan Project change throughout World War II? Albert Einstein was undoubtedly one of the geniuses of the twentieth century. His work with gravity, relativity, light, and the universe helped to herald in a golden age for the study of science, of which scientists are still marveling at and studying today. Additionally, he was well-known for his participation in the Manhattan Project and the construction of the two atomic bombs. Along with numerous other scientists such as Fermi and Szilard, Einstein came to the realization that Nazi Germany was on its way to constructing†¦show more content†¦Einstein’s famous E=mc ² (energy is the mass of the object multiplied by the speed of light squared) equation was the kindling for the research and development of atomic energy. Quite simply, it implied that a small amount of matter converted into energy could produce tremendous amounts of energy because the speed of light, a massive number, is being squared. This was the foundation of the atomic bombs. A small amount of uns table isotopes of either natural uranium or manmade plutonium could produce tremendous quantities of energy in the form of heat and light if they could be forced to undergo spontaneous reactions (Loeber, 1-2 from USMA library). J. Robert Oppenheimer, the technical lead for the Manhattan Project took this equation and attempted to create the first nuclear reactor, which was to be used as a prototype atomic bomb. Because there were still so many questions that needed to be answered about nuclear fission designs, such as how to start a spontaneous reaction, Oppenheimer commissioned Enrico Fermi, a famous Italian physicist, to help him create a basic nuclear reactor, which Fermi soon dubbed CP-1, â€Å"Chicago Pile #1.† The original thought process on starting a self-sustaining nuclear reaction was the â€Å"gun-method,† in which a long hollow tube had two halves of a sphere of solid plutonium, with an explosive at one side, which would â€Å"shoot† one half into the other, hopefully creating a supercritical mass that could achieveShow MoreRelatedLearning Skills : A Unit 5 Lesson 81400 Words   |  6 Pagesquick way to increase your understanding of a subject. You have read the letter Albe rt Einstein wrote to President Roosevelt in 1939 persuading the president to take action and build relationships with scientists who had discovered the use of uranium and creation of bombs. Who was Albert Einstein? Why should President Roosevelt have listened to what he had to say? If you search for more information on Albert Einstein, you will learn that it was very smart of Roosevelt to listen to this knowledgeableRead MoreLearning Skills : A Unit 5 Lesson 91256 Words   |  6 Pagesinformation and applying it to the text we are reading? What other types of media are there? Open your digital notebook and describe your strategy and the learning skills you will use to succeed in this lesson. image http://pixabay.com/en/albert-einstein-scientists-physicist-62931/ Instruction, Modeling and Student Activities Websites are a great resource for finding diverse media and formats such as audio, visual, and informational resources that contribute to a topic, text, or issue underRead MoreJustified or Unjustified: America Builds the First Nuclear Weapon883 Words   |  4 PagesOn August 2, 1938, in the heat of World War II, Albert Einstein, a physicist born in Germany, sent a letter to Franklin Delano Roosevelt, the 32nd president of the United States. The letter suggested America to build an atomic bomb before the Nazi Germany does. However, it took more than two months for the letter to reach Roosevelt. On October 19, 1938, Roosevelt agreed, replying, â€Å"I found this data of such import that I have convened a Board †¦ to thoroughly investigate the possibilities of yourRead MoreAlbert Enstein1246 Words   |  5 PagesIntellectual Property †¢ History Bios †¢ †¢ Share †¢ Print Ads:    †¢ Albert Einstein    †¢ Inventors Help    †¢ Einstein Quotes    †¢ Patent Invention Idea    †¢ Example of Biography Albert Einstein - Biography [pic] By  Mary Bellis Photo: Albert Einstein Albert Einstein was born in Germany in 1879. He enjoyed classical music and played the violin. One story Einstein liked to tell about his childhood was of a wonder he saw when he was four or five yearsRead MoreThe Atomic Bomb Of World War II1217 Words   |  5 Pageschampion in military strategies; this endeavor also known as the Manhattan Project served as catalyst in WWII. During this time, the world’s most intelligent scientists discovered that German physicists were learning to produce a bomb that could cause immense destruction. The fear of such a bomb led scientists Albert Einstein and Enrico Fermi to inform President Franklin D. Roosevelt of Germany’s plans. Renowned scientist, Albert Einstein had fled Nazi persecution and was by then living in the UnitedRead MoreThe Contributions Of Albert Einstein1197 Words   |  5 PagesNovember 6, 2016 2nd Period Mrs. Watson Albert Einstein Research Paper There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle. (Einstein). Through Albert Einstein s eyes, everything that exists in the world is a miracle. Einstein s discoveries have proved the science world that the elements which make up the earth are indeed miracles. Albert Einstein is one of the most accomplished mathematicians and scientistsRead MoreDuring The Early 1940’S Atomic Science Had Just Began To1247 Words   |  5 Pagesfunded the Manhattan Project that sole goal was to develop a nuclear bomb. The initiator for this endeavor was surprisingly the famous scientist Albert Einstein. He wrote to Franklin D. Roosevelt , and tipped him off that the Germans were building a nuclear warhead (Ushistory.org). Roosevelt was extremely concerned for the safety of the world and hastily approved for uranium research. The code name â€Å"Manhattan Project† was given to the American effort to build an at omic bomb. This project was kept secretRead MoreThe Bombing Of Hiroshima And The United States1111 Words   |  5 Pagesera was just being discovered, Albert Einstein had revealed an unordinary way of destroying things. Something so dominate that cities would be demolished into pieces of ruins. Einstein communicated with the United States President Truman of this new brilliant idea of a way to stop the war. When the war had become out of hand and resulting into many casualties, Truman considered. The United States of America took advantage of the new theory and embarked into a project that would change mankind andRead MoreEssay on Japanese Comfort Women1011 Words   |  5 Pagesscientists involved in the Manhattan Project, and had reliable statistics. I used a quote from Tony Alessandro, former president of the U.S.S. Missouri Association. This source was helpful to see the both sides of the debate on dropping the atomic bomb. Einstein, Albert. Letter from Albert Einstein to FDR. Letter to F.D. Roosevelt. 2 Aug.1939. Letter from Albert Einstein to FDR, 8/2/39. PBS, 2 Aug. 1938. Web. 01 Nov. 2013. 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Primitivism Revisited Basquiat between Blackness, Otherness, and the Old-New Free Essays

string(108) " are viewed as ethnically, geographically or culturally â€Å"other† and are thus marginalised and excluded\." Introduction Primitivism in modern art is most commonly related with the depiction of non-Western motives and images, which are taken from different cultures and which show the fascination of the modern world with the cultural past of distant civilisations (Rhodes, 1994; Goldwater, 1986). Starting as a movement in the early 20th century, primitivism reflects a creative and powerful dichotomy between modernity and the past, and the rebellion against the established, mainstream order of depiction. In painting, primitivism is often associated with artists such as Paul Gauguin, Pablo Picasso, Henri Matisse, and Henri Rousseau (Rhodes, 1994; Goldwater, 1986). We will write a custom essay sample on Primitivism Revisited: Basquiat between Blackness, Otherness, and the Old-New or any similar topic only for you Order Now In their work the incorporation of non-Western tribal elements were combined with a non-linear way for perception of reality. Primitivism also reflected the desire of contemporary artists to return to the basics of human civilisation, and to re-live through their work the existence of ancient cultures (Rhodes, 1994; Goldwater, 1986). From a less philosophical perspective, primitivism is a trend which largely defies the traditional linear depiction and yet possesses extremely recognizable simplicity. This application of totally new ways of seeing and depicting the world marked several lines of opposition – the old versus the new, the linear versus the non-linear, the Western versus the non-Western. The very dichotomy which primitivism in modern art represents is a radically different visualisation, which will appear in the works of other artists such as Jean-Michel Basquiat, Gaston Chaissac, Jean Dubuffet, and Joaquin Torres-Garcia (Johnson, 2003). Their stark depictions reveal in an intricate and enticing manner the clash between the Western and the non-Western, between the old and the new, and would often present the objects and the people trapped inside these confinements. The purpose of this essay is to examine certain critical views on primitivism in art through the prism of Jean-Michel Basquiatâ€℠¢s work, in comparison with other artists considered primitive such as Picasso and Gauguin. For clarity, the rest of the paper is divided into several sections. The next section will provide a brief overview of Basquiat’s art and its significance. It will be followed by an analysis of two of the basic views of primitivism – the depiction of the non-Western, and the juxtaposition between the old and the new – both observed in the context of Basquiat’s work. Jean-Michel Basquiat: the Artist Born in New York and of American-Haitian-Puerto Rican origin in 1960, Basquiat’s sensational rise to fame in the 1980s was largely influenced by his unique pictorial style, combining a variety of techniques (Fretz, 2010). It was also influenced by his powerful social commentary which captured the essence of modern, as well as past hostilities such as the marginalisation of certain groups of society, and the role of the state and its institutions. Basquiat largely focused on the centrality of the human figure and individualism in these contexts (Fretz, 2010; Mayer, 2005). His depiction of the illnesses and the glory of the contemporary civilisation through the prism of black culture have made him one of the most celebrated modern painters of all times. What Marc Mayer calls â€Å"calculated incoherence† (Mayer, 2010: 50) reveals also one of the most distinguishable features of Basquiat’s work – keeping his audience in a state of â€Å"half-knowing†, of â€Å"mystery within familiarity† (Mayer, 2005:50). Some of his most notable works such as Flexible (1894), The Irony of the Negro Policeman (1981), Untitled (History of the Black people) (1983) and Untitled (Skull) (1984) have triggered an ardent debate on his rendition as a primitivist and neo-Expressionist painter. The following sections will explore the duality of Basquiat’s primitivism through his depiction of black culture as ‘black’ (from the perspective of race), and at the same time as ‘other’, (as a socio-historical entity). They will also look at his work as juxtaposition between the old and the new, and as a defiance of the traditional pictorial tradition. Basquiat, primitivism, and the Black heritage As mentioned earlier one of the signposts of primitivism is related to the depiction of non-Western cultures and ancient civilisations (Atkins, 1993; Rhodes, 1994; Goldwater, 1986). This view of primitivism as an expression of a certain type of historicity, bound by culture, tradition, and distinct heritage, is one of the underlying motifs in Basquiat’s work. His depiction of the Black civilization at various stages of its development does not fail to capture its complexity and variety. Paintings such as Untitled (History of the Black people) (1983) reveal the cultural richness of the African heritage, where Egyptians are depicted as Africans and thus their origin in terms of ethnicity is reaffirmed in the artist’s work (Frohne,1999). The painting also makes allusions to the slave trade in the United States, and the exploitation of labour in the American plantations. Another work which makes powerful allusions to blackness in a more sociological, rather than historical context is Irony of the Negro Policeman (1981). Here the whole concept is an oxymoron, as in Basquiat’s view the police represents oppression and the oppressive state, rather than the guardian of the order, and the Negro should be sympathetic to members of his race, rather than prosecuting and arresting them (Frohne, 1999). This re-ordering of the socio-political hierarchy which in Basquiat’s view has defined modernity for centuries reflects also a brave interpretation of â€Å"blackness† and â€Å"whiteness† not only as racial, but also as sociological and even moral categories. In this sense Basquiat’s primitivism is shown to reveal the deepest controversies in black history. It also reveals the black race’s â€Å"internalisation† of certain characteristics, historically attributed to the white race, such as oppression, restriction and control. In these two paintings Basquiat is making clear allusions to members of his own race, and referring to important social and historical developments which have defined its very existence. In the first one he is celebrating the glorious past of the Egyptian nation as belonging to the African continent, but in the second one he fiercely criticises the sociological transformations of his own race, manifested in the collective image of the oppressed-turn-oppressor Negro policeman. Here Basquiat’s message can be related to Said’s concept of Orientalism and â€Å"otherness† (1979) where certain groups are viewed as ethnically, geographically or culturally â€Å"other† and are thus marginalised and excluded. You read "Primitivism Revisited: Basquiat between Blackness, Otherness, and the Old-New" in category "Essay examples" Basquiat’s visualisation of the otherness to a large extent replicates that of Said, because it reflects the historical opposition between certain groups, and the complex transformations resulting from this opposition. To draw a comparison on this particular critical view of primitivism, it would be interesting to explore how blackness and the non-Western are captured in the works of other artists, often rendered as primitivist. In Picasso’s African period and probably most notable work of this time Les Demoiselles d’Avignon (1907) the African elements are dominant. Inspired by traditional African masks, the work has been renowned for its sharp, simple, geometrical shapes, which defy the traditional linear dimension popular throughout Europe at that time (Berger, 1989). Revolutionary both in pictorial style and messages, the painting is considered to have been a prelude to the birth of Cubism (Berger, 1989). Here Blackness is not the central theme of the work. While with Basquiat and the two works discussed previously the central focus is the black race and its historical and social transformations, in Picasso’s Les Demoiselles d’Avignon the influence of the African trad ition is most clearly seen through the geometric shapes and the angry, almost clumsy depiction of the figures. In this sense while Basquiat’s primitivism poses powerful political and social messages, which reveal perpetuating conflicts, Picasso’s African elements in Les Demoiselles d’Avignon are used as a technique which carries the over-burdened dichotomy between the female body and the ruthless masculinity of a predominantly male world. To draw another parallel, in Gauguin’s works, primitivism takes on a slightly different direction. In The Moon and the Earth (1893) and Spirit of the Dead Keeps Watch (1892) Gauguin celebrates Tahitian culture and its deep and versatile heritage (Solomon-Godeau, 1986). These two paintings however are also depiction of a highly powerful sexualisation of femininity, and reveal Gauguin’s views of Tahiti as an embodiment of sexual freedom and liberty (Solomon-Godeau, 1986). Although the artist has been criticised for his strictly male and thus exploitative views of female sexuality and freedom (Solomon-Godeau, 1986), the paintings discussed here reveal his idealistic views of the rural, as opposed to the industrial, and the free, as opposed to the restrained. These are all captured in his intense expressions of primitivism within the confines of a particular culture – that of Tahiti. In this sense to draw a parallel between Basquiat, Picasso and Gauguin’s primitivism is a challenging task. While Basquiat emphasizes certain racial confines and his paintings are bound by historicity, Picasso’s primitivism is far more technical and abrupt. Gauguin on the other hand reveals primitivism in the confines of a particular culture, which is different from the Western one, and thus non-Western, or â€Å"other†. However, while this â€Å"otherness† in Gauguin’s work is depicted as non-dichotomous and even peaceful, this section has revealed that exactly the opposite is true for some of Basquiat’s works. Basquiat, primitivism, and the old-new paradigm While we previously looked at Basquiat’s work as an expression of black culture and its transformations, this section will discuss his primitivism from a non-ethnic, non-racial perspective. It will look at primitivism as juxtaposition between the old and the new, and defiance of the conventional Euclidan pictorial style (Henderson, 2013; Atkins, 1993; Rhodes, 1994; Goldwater, 1986). To consider Basquiat’s primitivism simply as â€Å"racial† or â€Å"historical† is an oversimplification. In the words of Armand, Basquiat’s work has been problematically taken to be â€Å"the virtuosity of an African-American New York artist, whose urban multi-ethnicity is the mark of a chick ‘80s neo-primitivism† (Armand, 2000, n.p). The key word here is â€Å"multi-ethnic†. As much as the non-Western (in Basquiat’s sense – black) element is crucial in primitivism, we need to consider another critical perspective of this trend – the juxtaposition between past and modernity. In Basquiat’s work this juxtaposition transcends the confines of history and race. His primitivism is also expressed through his combination of contemporary elements and traditional ones inspired by classic art, poetry and literature. In this sense Basquiat is not simply a black artist. For example his painting Leonardo da Vinci’s Greatest Hits (1982) is a visual celebration of da Vinci’s fascination of the human body, whose anatomy was one of the centre themes for Basquiat himself. The painting can be easily interpreted as juxtaposition between the old and the new – one of the main tenets of primitivism as already mentioned earlier. It combines a contemporary pictorial technique, with motifs from da Vinci’s own work and is an allusion to the Renaissance. The work is an expression of primitivism in another way. It focuses on the importance of the individual and the human body as a manifestation of the new, and it defies the traditional, conventional dimensions of classical painting. The work is in many ways abstract, and influenced by the disjointed, vibrant, chaotic world of the modern, where the human figure is central. In this sense Basquiat’s work relates to primitivism, and reveals that his approach to implementing it is not entirely inspired by his ethnic origin or his incredibly powerful racial awareness. It is also bound by juxtapositions which go beyond these boundaries, and which reveal Basquiat not necessarily as a black artist but as an artist, whose perception of the complexities of the modern world is captured in the presumably less sophisticated and simple technique of primitivism. To quickly draw a parallel, Gauguin’s work which has already been mentioned in the previous section, will serve as an example here as well. His depiction of the people of Tahiti is not necessarily to be perceived only as bound by their cultural or ethnic predispositions, but also by their authenticity, understood by the painter as an antonym to the modern civilisation (Herbert, 1997). In Gauguin’s work, themes such as the peacefulness of the rural landscape, as opposed to the hectic reality of the modern world are prevalent. For example we can see how in Matamoe (Landscape with Peacocks) (1892) the naturalistic depiction reveals not only the artist’s attempt to return to the basics, but also to escape from the urban culture, and also from art which is unoriginal. It is an appeal towards a form of communication, which is â€Å"untouched by culture† (Radford University, 2013, n.p). In this sense both Gauguin and Basquiat reveal another important critical ten et of primitivism, namely the opposition between the old and the new, where the â€Å"primitive† vision began to signify the â€Å"true† vision, with true vision being the vision of the modern artist (Radford University, 2013, n.p). Primitivism here is revealed to be not only an amalgamation between the old and the new, but also a visualisation of a world, where the search for authenticity and meaning is key. While for Gauguin this search is manifested through his glorification of the non-urban, for Basquiat this quest for a different type of normality is depicted in his appraisal of the modern. Conclusion This essay has attempted to discuss some of the critical views of primitivism, in relation to the work of Jean-Michel Basquiat. It has shown that primitivism in Basquiat’s art has a certain type of duality. On one hand, the role of â€Å"blackness† and â€Å"otherness† as an expression of racial awareness and socio-economic, even historical oppositions is crucial. On the other hand, we have observed how this is transformed into another tenet of primitivism, which transcends the confines of the racial debate and takes us to another one – the debate between the old and the new. Basquiat’s modern man is central to his paintings, despite some of his early social commentaries against consumerism and the modern society. In this sense Basquiat’s work goes beyond the framework of art, because of its strong moral and sociological impetus. His paintings mark some of the most poignant and at the same time the most exuberant passages of human history, an d serve as a fascinating reminder not only of the durability of his own work, but also of the perpetuation of the themes which his art so strongly captures. Bibliography: Armand, L. (2000) â€Å"Jean-Michel Basquiat and the Art of (Dis)empowerment†, from a lecture at the Comparative Studies Colloquium, August 30, Monash University, Melbourne, Australia, Available at: http://www.americansuburbx.com/2013/10/jean-michel-basquiat-art-disempowerment-2000.html, Accessed 13/11/2013 Atkins, R. (1993) Artspoke: a Guide to Modern Ideas, Movements, and Buzzwords, 1948-1944, NYC: Abbeville Press Berger, J. (1989) The Success and Failure of Picasso, NYC: Pantheon Books Frohne, A. (1999) The African Diaspora: African Origins and New World Identities, Bloomington, Indiana: Indiana University Press Goldwater, R.J. (1986) Primitivism in Modern Art, Cambridge, MA: Harvard University Press, pp. 3-86 Henderson, L.D. (2013) The Fourth Dimension and Non-Euclidean Geometry in Modern Art Cambridge, MA: MIT Press Herbert, R. L. (1997) Peasants and â€Å"Primitivism†: French Prints from Millet to Gauguin, Washington: Washington University Press Johnson, K. (2003) Art in Review, ‘Fire under the Ashes’ – ‘From Picasso to Basquiat’, The New York Times, Published: December 19, 2003 Available at: http://www.nytimes.com/2003/12/19/arts/art-in-review-fire-under-the-ashes-from-picasso-to-basquiat.html Accessed: 13/11/2013 Mayer, M. (2005) Basquiat, ed, Merrel Publishers in association with the Brooklyn Museum Radford University (2013) â€Å"Gauguin: Primitivism and Synthetic Symbolism†, Available at: http://www.radford.edu/rbarris/art428/gauguin.html, Accessed 13/11/2013 Rhodes, C. (1994) Primitivism and Modern Art, Thames and Hudson Said, E. (1979) Orientalism, New York: Random House Solomon-Godeau, A. (1986) â€Å"Going Native: Paul Gauguin and the Invention of Primitivist Modernism† in Modernism in the Expanded Discourses: Feminism and Art History, N. Broude and M. Garrard (ed), NYC: Harper Collins Paintings: Jean-Michel Basquiat Flexible (1984) The Irony of the Negro Policeman (1981) Untitled (History of the Black people) (1983) Untitled (Skull) (1984) Leonardo da Vinci’s Greatest Hits (1982) Paul Gauguin The Moon and the Earth (1893) Matamoe (Landscape with Peacocks) (1892) Spirit of the Dead Keeps Watch (1892) Pablo Picasso Les Demoiselles d’Avignon (1907) Films: Basquiat (1996) Director: Julian Schnabel Country: United States How to cite Primitivism Revisited: Basquiat between Blackness, Otherness, and the Old-New, Essay examples

Impact of ICT on Travel Sector Samples †MyAssignmenthelp.com

Question: Discuss about the Usage and value of information and communication technology on travel agency. Answer: Synopsis: The economy of travel sector has been driven by the ICT or information and communication technology nowadays. The travel business has been representing the industry which is information-intensive characterized by a notable long value chain. It has been influenced to a large extent by the information. Its generation, gathering, storing, retrieving and transferring has been remaining at the heart of all the activities of the travel agencies. Every innovation in the sector of ICT could potentially alter the strategy followed by the travel agencies in running their business. These transformations have also been effected by the customer behaviors that keep changing under the impact of information technology. The decision making process of the consumer in the travel agencies has transformed into online as the direct booking of service has come into place. Critique: The commodity-like structure of the products is provided by the travel agents. Law et al., (2015) identified that the easiness with which various travel products could be described have been concerned about the travel agencys future provided the advent of ICT. Early recognition of the trend in the change in role of the travel agents has been the notable decrease in the agency commissions as paid by the airlines. This also includes the rise on internet usage and the other online services for obtaining the information about travel and making the airline reservations. The developing of the vertical portals has redefined the business of travel. According to Krcher (2013), this has have rise to numerous last minute travel portals online that effectively organize and then distribute the inventories of distressed tourism to the customers. A client is able to search for online bookings and access numerous options available and then lastly take the decision to purchase. Law, Buhalis and Cobanoglu (2014) showed that the internet has made possible for the clients to undergo through large quality information in a lesser time. Moreover it made the service expectations since the consumers expect to get served all the day out throughout the year. Benckendorff, Sheldon and Fesenmaier (2014) stated that the technology has been also useful for the airlines in reducing the expenses and getting nearer to the customers. The application and rise of mobile technologies have also influenced the travel business sectors. The services of short messaging have been delivering lots of information. The booking confirmation through mobiles could simply get presented to hotels or airlines and one can enjoy the service effectively. Reflection: Thus it is seen that the travel business has revolutionized their strategies and plans with the usage of improved ICT solutions. They have been restoring to the solutions to the customer focused travel. They have aimed to deliver solution for every services related to travel via ICT. The travel agencies must embrace the effective and newly developed solutions of ICT for running travel operations efficiently and smoothly. At the same time the primary focus must be on delivering the efficient customer service. For these things the only counter is to adopt the updates and best information and communication technology. References: Benckendorff, P. J., Sheldon, P. J., Fesenmaier, D. R. (2014).Tourism information technology. Cabi. Krcher, K. (2013).Reinventing the Package Holiday Business: New information and communication technologies. Springer-Verlag. Law, R., Buhalis, D., Cobanoglu, C. (2014). Progress on information and communication technologies in hospitality and tourism.International Journal of Contemporary Hospitality Management,26(5), 727-750. Law, R., Leung, R., Lo, A., Leung, D., Fong, L. H. N. (2015). Distribution channel in hospitality and tourism: Revisiting disintermediation from the perspectives of hotels and travel agencies.International Journal of Contemporary Hospitality Management,27(3), 431-452.